R E L E A S E S
GOLI DECA "mania" LP12.06.17 · FY · #54
Articulating the notion of brutalism through motions of regal repetition- the goal is to break through and survive by all means necessary. Hyper-real music for the body and mind.
6 songs that evoke the authority of early/mid SWANS and Macedonian 80's dark wave of PADOT NA VIZANTIJA and MIZAR- yet still belonging in the present.
GRIEF s/t 12"03.12.15 · FY · #53
Slow, utterly depressing and mysanthropic doom- the record that started it all. 4 songs twisting the style of SABBATH and VITUS further down the spiral of physical and mental decay- a testament of the human downfall.
Remastered for vinyl by Jack Control at ENORMOUS DOOR MASTERING and pressed on 45 rpm 12" for maximum results.
GRIEF - "dismal" 12"/CD03.12.15 · FY · #51/#52
Pure filth fueled by misanthropy and inner segregation has been immortalized on GRIEF's "dismal", a record recognized as a benchmark in extreme music. HEAVY riffs and damaged, painful shrieks spew thoughts of alienation and self-hatred; primitive drums and bass complement the despondent ambiance.
Truly a genre-defining release, available for the first time since it's original release in 1992. Featuring the original artwork, remastered for both vinyl and CD by Jack Control at ENORMOUS DOOR MASTERING and pressed on 45 rpm 12" for maximum results.
CD includes 2 bonus tracks originally appearing on the split 7" with DYSTOPIA
NEW WORLD "jigoku no dantoudai" 3"/4"12.06.17 · FY · #49
Japan noisecore- the old WORLD is dead, this is NEW WORLD! A systematic sensory intrusion in 7 movements:
BILLY BAO - "communisation" LP03.12.15 · FY · #48
This is literally a fucked up record.
Here you have all the classics traces of a Billy Bao record (freaky punk, digital fuckery, conceptual disturbances, anger and desperation) but pushed so far to the point that it generates physical destruction: at the end of side A there is a digital sonification of the economic flash crash that was provoked by high frequency trading on the stock market in 2010. Its negativity has been inscribed into the actual situation of making this record as this sonic transcription burned the head of the cutter while the lacquer was being cut. Who knows? Perhaps this is Billy Bao's way to improvise with the means of production!
If on side B you can hear the results of cutting this record with a fucked head (the weird high pitch, for example), there is also the sound of a music emanating from a group of people who will not let market forces dictate their future, including the great Tokyo based musician Taku Unami imagining the sound of self-abolition.
Out of the ruins of destroyed rock, some other kind of irreputable music emerges in order to roughen the surface of a contested present.